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This creates a spectacular environment for an individual to grow and learn. Contrary to the Kremlin’s claims, the West is not to blame for current food shortages in the developing world. I think aside from mechanical take aways (like routing, instrument set up, proper work flow, take management, etc) I’d say that my biggest takeaway is to surround yourself with like minded individuals who excel at what you want to do. I have the problem getting frazzled while tracking, questioning takes, so end up keeping everything to comp later by myself.Īlso, just want to say how much more confident I am at the thought of going into a studio I’ve never been to before, and knowing I’ll be able pull it off. Getting THE take in the moment and moving on. I used to edit a little on my recordings but I will minimize it more now. Was a great experience to be with you guys in the studio, also, same as Koby, making everything perfect from start will make the song shine, also the little details like the snare has to keep energy on every hit, will make the difference later. I come from leaning much harder on the comping/editing phase, which was basically non-existent in our session, and the result sounded just as good, if not better. 1946 Letterhead for the Stratemeyer Syndicate.
#The syndicate project setup series#
Between 19 they were responsible for about 1,400 volumes of juvenile series books. Today we’d call them a book packager though at the time, the concept was relatively new. The Stratemeyer Syndicate was a phenomenal entity. You don’t need to keep every take just in case. Blog posts about the Stratemeyer Syndicate. My biggest take-away was the confidence to hit undo after a so-so take and do it again. Lots more vocal layers – harmonies, doubles, “ahhh’s”.Sounded almost interchangeable, but we went with the 251 for the 10% extra top end Right back into guitar tracking – finishing rhythm guitars.Tracked a small chunk of rhythm guitars before we ran out of time.Amp + cab mic setup (Diezel head + SM57 on a V30 speaker).
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